wpgrace wrote:... but I've always felt that final four kinda gave the net a reason and an excuse to bag the whole thing.

ME TOO, ME TOO, ME TOO,
Grace! I am not so up on all the interviews/comments from the actors, writers, producers, etc. as some of you are, but I think the reason they said they did the one-offs at the end was partly because they weren't sure about a pick up and partly because the network wanted to attract new viewers after the strike and felt that the stand-alones wouldn't require previous viewings (I find the fact that this backfired on them tragically ironic).
However, I think just the opposite. I wish they had a taken page from
Lost's notebook and done an extended recap at the beginning of FtP or a set-up "special" that would have recapped the prior episodes to "catch" the viewer up. As many of the wonderful fan vids here prove, there were ways to edit clips together into a really compelling recap and they left so many juicy storylines open that they could have notched forward into a good cliffhanger for a second season. The contortions they did at the end to avoid moving some storylines along while speeding up the Mick/Beth relationship really left me disappointed. I remember Ethan and Kira talking about the final scene (the door closing) and how they didn't know the status of their pickup at the time they wrote/filmed it, so they wanted to give the Mick/Beth shippers some kind of satisfying conclusion in case it didn't get picked up, but not limit their options too much in case there was a Season 2. Ethan's idea about the freezer would have revealed too much, I'm afraid (though I would have
loved to have seen that scene!), but the door closing left many possibilities for what happened
after the door closed. After the series was canceled, many of us Mick/Beth shippers of course "filled in the blanks" with the conclusion we wanted (thanks,
Luna 
), but it could just as plausibly been an all-night discussion of the topic they'd avoided for so long (their "relationship") that ended as badly as the first time Mick left her apartment that night.
Which gets me (finally!) back on topic here... I totally agree with Alex that any "happily ever after" scenario for Mick/Beth would have killed the show, but I do believe they could have plausibly (and repeatedly) let these two get together and then tear them apart again (and
not in a soap-like fashion). Their relationship had so many obstacles and complications, there was a lot of fodder there. I agree with
GA that they killed Josh off too soon. They could have done
so much better with the conflicting feelings Beth was experiencing when she came back from NY, but instead we got those weird scenes where she looks like she'd rather be anywhere else than with Josh, then it's like she's back in normal relationship mode as she goes about her day accompanying Josh to the crime lord's house. I mean, that weird kiss a the beginning of LLF was so creepy gross to me that it was like watching incest or something... they just left that hanging and never really gave us much exploration of Beth going through this rollercoaster of emotions. I would have loved for SB to be followed up with a Beth V/O episode. While I was riveted by the scenes following Josh's shooting, they could have done that later, in Season 2. I just felt like we had this long, agonizing triangle and then *boom* all of a sudden in one episode it's completely wrapped and by the next episode (as others here have said), we're done with the funeral and on to Mick/Beth. I just think they went haywire with the pacing of the story arcs after SB.
The thing i did really admire about this episode was the way they played out the life/death/eternity themes and how apt the title is. When I went to create the banner for this episode, it was interesting how Beth was the target, but Josh ends up dead and Mick ends up wondering if he's lost Beth for good. The guy who has "forever" might not get the girl, the guy who ends up dead finally gets the love of his woman the way he wished he had when he was alive, the girl who's been in danger her whole life once again survives (although with a lot of pain and guilt). Then there's the most tender moment of the triangle as Mick and Beth put their hands on Josh to try to save him, and I found the screencap with the candles where it looks like one of them is blown out, and that sort of symbolized for me Beth's crossroads at that moment in her living room: focus on the life that's gone, or the "life" ahead, who is standing before her with his heart on his sleeve. Oh the possibilities, had we had more ML

.
(sorry,
GA, this took so long to write I'm posting below your latest update.)